Thursday 24 May 2012

"It's Just a Story"


As many of you are already aware, I worked for a few years as a university lecturer teaching on BA Honours film degree courses.  As I saw it, my job was to inspire the students to push themselves to explore the limits of their technical and storytelling skills whilst in the supportive and safe environment of education.  I would challenge them to not play it safe and to dare to tell the best stories in the most engaging and compelling way.  After all, many would leave university and be restricted by client or studio remits so what better time to experiment and find ‘their voice’.

I’ve always been a lover of film; all film.  I have my favourites in many categories from shear entertainment to highbrow ‘connoisseur’ type films.  For me it’s about just a few things: am I engaged in the characters and the story, can I connect with the characters and story and finally do I get completely lost and absorbed in the whole experience.  Once a film achieves that, in whatever way the genre demands, then, for me, its job is done.

A good film, always starts with a good story.  There is real power in a good story, it has the power to allow us to reflect, challenge, learn, assess, grow or even heal.  A quality story will not do this obviously but will achieve its outcomes through careful and deliberate metaphors and the ‘takeaways’ from immersing ourselves in good stories can run deep and be life changing.


Storytelling is how we have always passed on wisdom and teachings
The reason stories can have a profound impact on us runs hand in hand with how I create huge life-changing seminar events for people.  It’s about the experience.  If the viewer, listener or reader of a story is having any form of chemical release (emotional experience) associated with what’s unfolding then their subconscious is learning.  As I’ve written before and talk incessantly about, the chemical releases we have create our entire experience, which we interpret as ‘reality’.  This means that if your subconscious is giving you any form of chemical ‘hit’ during the story, it isn’t ‘aware’ that it’s not real.  Chemical responses are there to prompt us to take physical action (our survival instincts) and unless the ‘thing’ we’re reacting to actually exists in the real world, the chemical reaction is redundant.  Good stories manipulate our subconscious to give us an experience, or to create an alternative ‘reality’.  If we are not fully engaged in the story or characters we will not be getting the same hit of chemicals and the impact of the story will be greatly reduced.  Conversely if we’re loaded up with chemical responses during the story we will have a profound experience and any message that is contained within the story will most likely have been absorbed into the subconscious.  Remember to create any deep change in us this is where the learning needs to hit.  Stories can engage the conscious mind to entertain but also stimulate the learning mechanisms of the subconscious to facilitate small or even large changes of personality, beliefs, behaviours or perspectives.




Next time you’re ‘having an experience’ from reading a good book or watching a great film take a moment to think about what’s going on in your mind and body.  Then think about what your subconscious is learning and how this learning effects personalities.  We are an accumulation of our experiences and leanings to this date.  We learnt through our experiences, whether they be direct, witnessed or taught to us.  What we read or view also constitutes our experiences and such moulds who we are.  Think about this the next time you’re watching a scary or violent film or maybe something depressing or stressful…your subconscious cannot disseminate whether what you are engaged in is real or not and will absorb the experience into it’s learning.  Is that really the experience you want to have?  Is that really what you want to teach you subconscious?  Is that really who you want to be?  Is that the world you really wish to inhabit?  A ‘dip’ into violence here or there or horror or sadness won’t hurt and can educate positively if done well but to constantly immerse oneself in negative experiences will create change in you just as it would if it was actually real.  The degree of impact of this will be determined by the degree of ‘experience’ had.  For example if you enjoy a good horror film and are entertained but are not having a negative emotional experience then the chances are little or no negative learning has taken place.  However if, like me, these film leave you unsettled for some time after or play on your mind, rest assured, you’ve had a negative experience and your subconscious is a little worse for it. 
I argue against that telling yourself ‘it’s just a story’ negates the negative psychological impact of some film and stories.  The determining factor is always going to be the experience you are having.  And as I’ve already said, I good story is the one where you are completely engaged and absorbed in it.  If you are aware you’re watching a film, it’s not a good film. If you’re aware you’re reading a book, it’s not a good book and ultimately if you ‘know it’s not real’, it’s not done its job.


As a final thought, nothing changes when applying the above to computer games.  I wish it wasn’t the case but everything I know tells me that what we watch, read or even play changes us in a manner associated with what we’re watching, reading, playing.  It’s possible the experience will show us a better of being but it also might be giving us a distorted, negative ‘reality’.  I think all stories are valid but as with anything in life, be aware of the experience you’re having and the associated learning your subconscious is doing and the possible resultant personality or belief changes that might be occurring.  We are here to experience as all experience is living.  My challenge to my students is to be clear about what experience they want their audience to have and what teachings or outcomes they wish to leave them with, all whilst entertaining.

I love a good story and I love great film and that’s why I’m delighted to be running the “Hollywood Experience”, 3-day summer film schools for kids this year.  The basis of the courses will be how to tell stories and then convert them into film and ascertain the impact their film will have on their audience.  The final films will vary in ‘quality’ and effectiveness but the learning they get will last with them as will the fun time they have.



If you would like more information on the summer film schools please visit:

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